Simone Bilgram Photography

  • Portfolio
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    • New Zealand Gothic
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    • A Forest
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    • Space Oddity
    • Still Lifes
  • Commissions
    • Clouds Turn Into Cranes
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    • Portrait
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    • New Zealand Gothic
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    • Clouds turn into cranes
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  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

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  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    2/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    3/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    4/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    5/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    6/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    7/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    8/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    9/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    10/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    11/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    12/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    13/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    14/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    15/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    16/17
  • This work follows in the footsteps of Günther Litfin, who was shot by GDR-border guards on August 24th 1961. The work takes a look at the desire of freedom and tries to read the signs of the past in historical places.

    17/17